Montaña en sombra / Mountain in Shadow (Lois Patiño, 2012)

Mountain in shadow from lois patiño on Vimeo.

One of my favourite short films from the last few years has been put up on Vimeo by its director. I saw Lois Patiño’s Montaña en sombra / Mountain in Shadow on the massive IMAX screen at the Bradford International Film Festival in 2014 where it accompanied Patiño’s feature debut, Costa da Morte / Coast of Death – in my 5-star review of the latter, I mention the short in the last paragraph. I feel privileged to have seen it in an ideal viewing environment originally, but it’s also nice to have the opportunity to watch it again (even on a small screen).

 

Festival Report: Curtocircuíto

Volontè

As I’ve already said, I didn’t manage to go to Santiago de Compostela for Curtocircuíto but the festival gave me access to most of the films in the competitive categories. Besides the films that I reviewed for Eye for Film (and some films that I saw in Edinburgh earlier this year – Scrapbook (Mike Hoolboom, 2015), I Am a Spy (Sarah Wood, 2015), and Sound of a Million Insects, Light of a Thousand Stars (Tomonari Nishikawa, 2014)), the standouts for me included World of Tomorrow (Don Hertzfeldt, 2015) [which is available to rent on Vimeo], The Liquid Casket / Wilderness of Mirrors (Paul Clipson, 2014), Embargo (Johann Lurf, 2014), Paisaje con perro roto / Landscape With Broken Dog (Orazio Leogrande, 2014), Tehran-Geles (Arash Nassiri, 2014), Descubrimiento de Américo / Discovery of Américo (Miguel Mariño, 2014), and Historia Cerebro / Brain Story (Borja Santomé, 2015).

The latter two films were part of a collection of Galician shorts and given that I’ve been considering the Novo Cinema Galego recently, I decided to focus my festival report on films from that section – my report can be found at Eye for Film. I specifically focussed on Cruz Piñón (Xisela Franco, 2015), Hyohakusha, caminante sin rumbo / Hyohakusha, Aimless Wanderer (Xisela Franco and Anxela Caramés, 2015), and Volontè (Marcos Flórez, Helena Girón, Rafa Mallo, Roberto Mallo, Miguel Prado, Lucas Vázquez de la Rubia, Lucía Vilela, 2015). My choice of films was based on the connections that I could make between them but the collection as a whole illustrated the diversity of cinema being made in Galicia.

Curtocircuíto – Santiago de Compostela International Short Film Festival 2015

Curtocircuito_poster

I have been covering Curtocircuíto from home in North East England rather than venturing to North West Spain – covering festivals from home always feels slightly fraudulent, as if I’m cheating, but travel and accommodation are costly aspects of going to film festivals and so on this occasion I had to be practical and forgo the festival atmosphere and focus on the films. The festival very kindly gave me access to most of the programme (the line-up can be found here), and I have managed to watch a fair range of what was on offer (and I may yet also delve into the filmography of Jørgen Leth – subject of a retrospective – because I’ve discovered that a lot of his films are available on DocAlliance). I will be writing a report on the festival this week (probably with a focus on the Galician films, given that Novo Cinema Galego is an interest of mine), which I will link to on here once it is up. In the meantime, I’ve written a round-up of the award winners.

I have also reviewed five of the films from across the programme – as usual, links to be added once they are online:

Becoming Anita Ekberg_03

Becoming Anita Ekberg (Mark Rappaport, 2014) – an essay film (or film essay?) exploring the formation of Ekberg’s star image.

 

In the Distance_02

In the Distance (Florian Grolig, 2015) – an animated take on isolation in time of war.

 

Neither God_01

Ni Dios ni Santa María / Neither God nor Santa María (Helena Girón and Samuel M. Delgado, 2015) – witchery and voices from the past.

 

Night Without Distance_03

Noite sem distância / Night Without Distance (Lois Patiño, 2015) – the film that I was most eager to catch up with (regular readers will know that Patiño’s Costa da Morte was my favourite film last year). Another investigation of the Galician landscape, this time in the form of a smuggling operation across the Galicia-Portugal border and utilising a colour negative image.

 

Ulterior_01

Ulterior (Sabrina Muhate, 2014) – an essay film on death and life and our bodies in those states. Unnerving (although admittedly I am squeamish) but I think that this is a director with her own voice (and eye).