Obra (Gregorio Graziosi, 2014)

Trailer Oficial – OBRA – Gregorio Graziosi from GREGORIO GRAZIOSI on Vimeo.

I saw Obra (which means ‘work’, but can also mean ‘building works’) in 2015, at Barcelona’s Festival Internacional de Cine D’Autor. I liked the film sufficiently that I’ve periodically checked to see whether a DVD release has surfaced – no DVD has materialised, but I’ve just discovered that it’s available to stream on Amazon Prime in the UK (here). In São Paulo, young architect Joao Carlos (Irandhir Santos) discovers a clandestine burial on the worksite of his first important project, located in a lot belonging to his family. Writing for Eye for Film back in 2015, I said that:

The opening credits set up the basic through-line of the film, that the past may be hidden but it remains underneath waiting to be discovered – a theme underlined by Joao Carlos’s wife (Lola Peploe) working as an archaeologist in the centre of the city. Shot in a silvery black and white that at times has the texture of a pencil drawing, Obra’s first images show architectural forms gradually appearing in the morning mist, ghost-like structures that slowly accumulate into the form of São Paulo – but those initial shapes and outlines can still be observed within the overall image. Throughout the film, the textures and forms of buildings are contrasted as part of the fabric of a changing city, and the black and white composition captures elements of beauty in even the most rundown corner of the dense urban sprawl.

I don’t know whether it will stand up to the version I have in my memory, but it combines two of my persistent cinematic interests in a way that stood out for me in 2015: an unusual focus on – and use of – architectural space, and the idea of the city as palimpsest. I’m generally bad at following through on intentions to watch things at a later date, but hopefully I will manage to rewatch this sometime soon.

Newly Streaming Films

Courtesy of David Cairns signposting that his film Natan (co-directed with Paul Duane) was now streaming online, I discovered a new (to me) streaming platform: IFFRUnleashed. It hosts a veritable cornucopia of esoteric titles from the festival circuit, reasonably priced at 4€ for a feature and 1€ for a short.

There are a number of films that I’ve seen at festivals but not encountered elsewhere, including a range of works by Spanish directors – such as El Futuro (Luis López Carrasco, 2013) and L’Accademia delle Muse (Jose Luis Guerin, 2015 – I might finally get to watch it with English subs!) – but also short films by directors like Radu Jude, Mark Rappaport, and Benjamín Naishtat. I’m going to link to a handful of titles that I’ve previously written about:

In other Spanish film streaming news, Carlos Vermut’s Quién te cantará (2018) has just popped up on Netflix UK, which is unexpected (I may have given an involuntary yelp when I spotted it in ‘Recently Added’) but welcome (the forthcoming Spanish DVD release – which I’ve pre-ordered – doesn’t have any English subs UPDATE: It does have English subs [despite the listings details showing no sign of them]). Netflix UK continues to add very recent Spanish films and TV series, offering a much broader range of Spanish titles than was ever seen in terms of UK DVD releases in the past.