One of those months. I watched Chavela (Catherine Gund and Daresha Kyi, 2017) – a documentary about the life and travails of singer Chavela Vargas (who often features on the soundtracks of Almodóvar’s films) – on Filmin.
I want to direct your attention to two online film festivals taking place during December: ArteKino and Márgenes. ArteKino is a Europe-wide initiative (it runs in 45 countries) to support contemporary European arthouse (their term) films by offering a wider audience the chance to view them (film distribution being what it is these days). 10 films – all with subtitles available in French, German, Spanish, and English – are free to view between 1st-17th December. You can see the full line-up here. The selection includes Scarred Hearts (Radu Jude, 2016), one of the few films I’ve seen this year that I can wholeheartedly recommend – catch that one here.
I’ve written about Festival Márgenes for the past few years (last year’s post is here) and will likely write another overview post at some point later in the month. The 7th Festival Márgenes will also make films free to view – in this case, films from the Iberian Peninsula (Spain and Portugal) and Ibero-America (Spanish and Portuguese-speaking Latin American countries), with an emphasis on documentaries and experimental formats. I think the online stage is either due to start tomorrow or on the 10th (it usually runs in the last three weeks of the year) but their website is currently down for maintenance The online stage runs 2nd-23rd December – the official selection can be found on this page. (which is loading for me, but I’ve had that window open in my browser for the past week to remind myself about it – so I’m not sure that it will load for other people just now). There is also an online retrospective of the films of Luis Ospina. I don’t know whether all of the films listed will be available online in all geographic locations (there are sometimes restrictions around certain titles) and I have no idea about the subtitle situation. I only ever manage to watch a couple of films in this festival each year, but always find something interesting and worth seeking out – this year I will be aiming to watch (based on what I’ve read about them previously) Expo Lío ’92 (María Cañas, 2017), Los mutantes (Gabriel Azorín, 2016), and 25 Cines/Seg (Luis Macías, 2017). If I have time, I will write an overview in a similar form to previous years – but if not, I still wanted to highlight the festival to anyone who appreciates experimental film-making.
It is exactly five years since I first started writing on my original Nobody Knows Anybody blog (the picture above was the first header image). I have been unsure of how to mark the occasion given that I stopped writing there (and started this new incarnation) last August when I discovered that the full contents of the site had been ‘scraped’ by a third party. I’ve ended up writing a brief goodbye post there today (it is contained within an image so that it cannot be overwritten). For the past five months I’ve only posted on the original blog when I’ve written about Spanish cinema (the original site focused exclusively on Spanish cinema) for another place – e.g. reviewed a Spanish film or written a festival report that included Spanish works – and in those instances I have simply posted the link with minimal details. I don’t think that there’s much point continuing with that, so now it’s best to just draw a line under it and move on.
That said, while I initially stated that I wouldn’t be reposting old writing on here, I now find myself in two minds on that issue. I had considered choosing a piece of writing from each year and reposting it here (possibly updating certain things) as a way of marking the five years. However, when I went back through the longer pieces, I found that they were a bit like time capsules – you (or I, at least) can see my writing develop from my initial struggles to get away from a more academic mindset (something that I acknowledged or referred to within a lot of the earlier pieces because I was also using the blog to reflect on my writing processes), to becoming more comfortable with expressing my own opinion without recourse to half a dozen other writers to support my argument / point of view. I don’t really want to go backwards. I don’t agree with everything that I’ve written in the past but I also don’t feel the need to rewrite it – it is what it is and reflects where I was at the time. I also think that some of the writing would seem odd in isolation, taken out of its original context (where you can see what else I was writing about in the same period). So that idea bit the dust.
On the other hand, there are certain posts that I would like to ‘take with me’ – either because they’re part of something that I haven’t finished yet, or things that I’d like to revisit (here I’m thinking specifically of the two ‘anatomy of a scene’ posts [on La madre muerta and Los lunes al sol] where I used multiple still images to try and convey either gesture or camera movement – I’m wondering whether I could redo them with gifs?), or a few about films that I really connected with. All of these posts were original pieces written specifically for the blog – i.e. I am not talking about the posts that I adapted from my PhD thesis. I think initially this would not involve more than half a dozen posts, plus the Carlos Saura ones (although that challenge has dragged on for so long that those posts are a sequence where you can see a definite change in my writing over time – I may rewrite some of the earlier ones). If I actually find the time to get properly back into my ‘el otro cine español’ / Spanish documentary project, then there are possibly a few more pieces that I would revisit and rewrite rather than just reposting – but I’ll only do that if I feel that I’m going to have the time to invest in that project.
The ‘blog birthday’ posts are also usually where I outline plans for the coming year in terms of what I want to write about. My year has got off to a slow start because I haven’t been very well but I’m hoping that the worst is over with and I can start organising myself again. The AV Festival takes place in my home city between 27th February – 27th March. For that reason, my February and March will mainly be taken up with that (I have a lot of the films involved on DVD, so I’ll be watching some of them before the festival begins). With that in mind – and so as not to annoy people by posting all of the stuff from the old blog within the space of a week – I think I’ll start by posting one older piece each week, to spread it out. The ‘anatomy of a scene’ ones may have to wait a bit longer because I don’t know that I’ll have enough free time to sort out the images within that timescale. But given that I won’t be attempting to restart the Carlos Saura Challenge until after the AV Festival, the reposting/rewriting of those posts could also present a lead in to that. My AV Festival coverage will begin soon.
Last year I managed to attend two film festivals abroad and two in the UK. Travelling abroad is unlikely to be financially viable for me this year (unless I find another opportunity like the one that took me to Gijón) but I’ve been looking at a broader range of possible UK festivals. For example, the ¡Viva! Spanish and Latin American Film Festival in Manchester is returning to its normal format this year (it was divided into three weekends at different times of the year in 2015), which may mean that a trip to Manchester is a) feasible and b) worthwhile (that is obviously also dependent on what they programme). Beyond that I should manage Edinburgh and Berwick again…..and I’ve noted down some other possibilities for the second half of the year as well. Other writing plans? I want to write something about the Spanish documentaries (mentioned here – and the Edificio España piece that I refer to within that post is one of the ones that I want to relocate here), I’m intending to write about two films – África 815 and La sombra – from the last two Márgenes online festivals that I think have interesting parallels, I’m mulling over an idea in relation to Life May Be but need a decent stretch of free time to properly explore it, oh and a certain man from La Mancha has a new film out this year (scheduled for release in the UK at the end of August) – I don’t think I’ll be able to do something as full on as the Almodóvarthon that I did in 2011 (I was only working PT then), but I would hope to do something about Pedro at that point. That seems like a decent schedule to be getting on with for the time being.
I have a few reviews of films I saw in Gijón forthcoming over at Eye for Film. I’m starting with three of the features (I will add links to this post as and when they are published), but there will also be something on (some of) the Spanish shorts – I haven’t decided whether this is going to entail reviews, a report, or some combination of the two. I will either extend this post to include links to reviews of the shorts or write a separate post for them – it’ll depend on what I end up writing.
This is another film seen earlier in the year in a festival context – D’A Festival in Barcelona – and it’s one of my favourite films of 2015. I’ve spotted that it’s getting a US release today but it’s also going to be at Leeds Film Festival next month (ticket details can be found here).
I wrote about the film in the aftermath of going to Barcelona. My review of Crumbs (*****) is over at Eye for Film (here – fair warning: I’ve probably included too many plot details, so maybe hold off reading it until you’ve seen the film), where you can also find the interview I did with director Miguel Llansó (Part 1 and Part 2). I hope to revisit the film before the year is over – when I do, I will write a bit more about it on here.