Hamada (Eloy Domínguez Serén, 2018)

Image from the documentary Hamada
Zaara and Sidahmed in Hamada

I went to Edinburgh for the day at the weekend in order to catch two documentary films with Spanish connections at the Edinburgh International Film Festival: Hamada (Eloy Domínguez Serén, 2018) and La ciudad oculta / The Hidden City (Víctor Moreno, 2018). I’m not going to write about the latter at the moment (I would need to see it again first) – although I would recommend it, if you get the chance to see it (an immersive non-narrative experience into the underground world beneath Madrid, it put me in mind of both Dead Slow Ahead (Mauro Herce, 2015) and Alien (Ridley Scott, 1979)).

Hamada is not technically a Spanish film (although the documentary’s subject matter relates to Spain’s colonial past), but Eloy Domínguez Serén is one of the Galician filmmakers whose work I have written about previously – and I’ll be looking out for his name in the future because this is a gem of a film. My Eye for Film review of Hamada can be found here.