Watched in May

All watched at home on either DVD or VOD.

In relation to documentaries, I have discovered that PBS has a documentary strand called Independent Lens (it’s a bit like the BBC’s Storyville strand insofar as the films don’t appear to be specifically made for the channel), which puts films online for a limited time period after they’ve been broadcast – and they’re viewable outside of the U.S. One note of caution: they edit the films to fit a specific time slot – so although The Prison in Twelve Landscapes is 90 minutes, the version I watched was only an hour long. Still worth keeping an eye on though.

Also: where Doc Alliance has become a subscription service (you used to be able to rent individual films but that doesn’t seem to be the case anymore – a subscription gets you access to everything on the site), they seem to have expanded their collection. I watched Deborah Stratman’s Illinois Parables on there but they also have films like The Event (Sergei Loznitsa, 2015) and Toponymy (Jonathan Perel, 2015) – and in many cases you have the option of paying to download a permanent copy of the film. I haven’t fully explored their catalogue yet, but if you’re into documentaries, I’d recommend taking a look.

Ramón Lluís Bande’s Equí y n’otru tiempu (2015) is available on subtitled DVD directly from the production company – here. Between 1937 and 1952, armed resistance to Franco continued in the Asturian mountains with many of the resistance fighters dying within that landscape. Bande’s film ‘proposes a cinematographic shift from the document to the monument, by filming in the present the places in which the major figures of the Asturian Guerrilla Group were killed’ (taken from the publicity material). I’m intending to watch his subsequent film – El nome de los árboles (2015) – which is available as VOD on Filmin. The 2nd film forms a diptych with the 1st, this time switching to oral history as the witness testimonies of those events need to be captured before they disappear from living memory.

The Carlos Saura Challenge: I had a fit of enthusiasm, rewatched a couple of the films and watched two others for the first time. I’ve re-written the nine posts that were part of the original run of the challenge on the old blog, and also written a completely new one for an early film that wasn’t available then…and then I thought “You’re still not even a third of the way through his filmography!” and got a bit disheartened. I had seen it as a possible way of kickstarting getting back into the habit of writing again, although – given that I’ve always struggled with momentum on this particular project – maybe that’s not a good strategy. I don’t want to give up but was thinking that simply watching the films would have to be my way of completing it because writing about them as well ends up making it into (what feels like) an epic endeavour but also something of a chore.

However, having mulled it over, I think I’ve found a way of breaking it down into stages of a more manageable size. I’m going to divide his filmography into three almost-equal periods: 1962-1979; 1980-1999; 2000-2017. I am aware that the first period might be better to end in 1981 (which is when he ended his run of thirteen films with Elías Querejeta) but 1979 represents his last film (of eight) with Geraldine Chaplin – and I’m not actually arguing that these are ‘phases’ in his career (the break with Querejeta is a dividing line in that respect); I just want to divide the time span up, and grouping by decade seems easiest. I need to write about Elisa, vida mía / Elisa, My Love and Los ojos vendados / Blindfolded Eyes but that then leaves me only one film away from completing the first period (Mamá cumple 100 años / Mama Turns 100 is the one I haven’t watched yet). So I’m intending to have a fortnight dedicated to Saura’s 1962-1979 films probably in early July (I’ve got other things going on this month), with a post on each of the thirteen films from those years. I will then move on to watching and writing about sixteen of the seventeen films (one is completely unavailable) from 1980-1999 (the films aren’t equally shared between the periods, but there’s not much I can do about that) with the intention of posting that collection over two weeks towards the end of the year – but there’s obviously a strong chance that it’ll be early next year instead. I won’t give an ETA on the last period until I know how long the middle one takes (only nine films in the last collection at the moment – Saura’s still making films – so that should feel easy-peasy in comparison). Dividing the thirty-nine (and counting!) films into smaller collections feels more do-able.

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