Un impulso colectivo: the podcast – series 2

Branding image for series two of the podcast

‘Un impulso colectivo’ [a collective impulse] is a regular section of Barcelona’s D’A Festival, and takes its name from a September 2013 article by programmer/critic Carlos Losilla in the magazine Caimán cuadernos de cineI have previously investigated some of the films from the earliest editions of the strand (alongside el otro cine español), and highlighted the first series of the podcast back in 2023.

Now there’s a second series, this time focussing on women (including filmmakers, programmers, and critics).

I haven’t listened yet, but series one was really interesting and episodes are only around 30 minutes, so I’ll make some time in the next few weeks. Thanks to Jacob Gómez for bringing the second series to my attention.

 

Un impulso colectivo: the podcast

‘Un impulso colectivo’ [a collective impulse] is a regular section of Barcelona’s D’A Festival, and takes its name from a September 2013 article by programmer/critic Carlos Losilla in the magazine Caimán cuadernos de cine (he programmed the films in the section’s first iteration in 2014, and I believe has been responsible for doing so in the ten years since as well). In the previous version of this blog, I started off on the trail of el otro cine español (that link is the tag for related pieces on this site) but quickly found it to be a nebulous term that included such an array of filmmakers (for example, Caimán‘s list of 52 directors of ‘nuevo/otro cine español’) that it was difficult to know where to begin. I ended up starting a mini-project focussed on the films that appeared in the first edition of ‘Un impulso colectivo’ because I realised that it had been programmed so as to give an overview of the cinema being made on the margins/periphery in Spain. I wrote a summary of what I found in that initial collection of films, and then I went to the D’A Festival in 2015 (the various pieces/interviews I wrote about the films on that trip are collected on the old blog) because I realised that if I wanted to see films that pertained to this collective impulse, I needed to travel.

Continue reading “Un impulso colectivo: the podcast”