I am changing my tactics in relation to working my way through Carlos Saura’s filmography. I ground to a halt more than a year ago having originally started in 2013 but only having watched 10 of his films (around 25% of his entire career). I have since watched a couple more but haven’t written about them – I think I need to have a time constraint involved in order to keep going but not one so rigid that it becomes a routine chore. I also think that what I’ve done to date has been written over such an elongated period of time that I would be better to start again from the beginning with a different format. What I have in mind is similar to the Almodóvarthon I had on the old blog in August 2011 with something published on each of the films in a concentrated time frame – but, given that Saura has made almost twice as many films as Almodóvar, realistically it will need to be spread over longer than one month (maybe 5 – 6 weeks). It will take me several months to watch all of the films and write something about each of them so that they can be posted sequentially within the designated weeks.
Longtime readers will know that my place of employment goes through some sort of managerial disruption virtually every summer, so – taking that into consideration – November seems like a reasonable month to aim for (all other non-blog circumstances permitting). [UPDATE: events referred to in this post mean that November will not be possible – so it will likely be in early 2017 instead]
UPDATE (May 2017): It’s looking increasingly unlikely that I’ll continue the challenge in the manner I intended – i.e. to write something about each film, and then post everything sequentially over a number of weeks. The challenge came about because I wanted to address what felt like a big gap in my knowledge of Spanish cinema, given the length and variety of Saura’s career. I am continuing to work my way through the films – and have already rewritten the original 9 posts, plus 1 completely new one – but I think that I have to accept that watching and writing are two separate things, and that watching the 39 films may have to stand as the fulfilment of the challenge (rather than writing an individual analysis of each of them). I had thought that I could use the framework of the challenge to get myself back into the habit of writing but now think that re-starting a (large) project with which I previously didn’t manage to maintain momentum is probably not an advisable tactic. I may end up writing something about clusters of the films – because there are definite groupings within Saura’s filmography – but for the time being I’m going to draw a line under my original aim, and just continue watching as an end in itself.